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Blog

Year: 2005-2006

Scott Ethier

Scott Ethier is a composer and pianist who writes and performs musical theater, concert works, and jazz.

His musical Rosa Parks (book and lyrics by Jeff Hughes) was commissioned by Theaterworks/USA and kicks off a tour of the United States at New York City’s Town Hall in February of 2009.

His orchestra works have also been performed and commissioned by the Melrose Symphony, the Cape Ann Symphony, and the Quincy Symphony . He was also commissioned by choreographer Martita Goshen’s company Earthworks to write the score for her piece Breathing Water, Breathing Eye at the Danspace Project.

Man Near the Moon, a short musical written with playwright Trista Baldwin, was staged as part of Dreams this Way: The Best of Raw Impressions Musical Theater at TADA! Theater and later at the Beckett Theater as part of the New York Musical Theater Festival.

Other theater scores include I Am Star Trek (Rick Vorndran, book; Clay Zambo, lyrics) at the Edinburgh Fringe Festival, and incidental music for Sarah Ruhl’s play Eurydice (Williamstown Theater Festival).

Active as a pianist and music director in theater and dance, Scott has played for Forestburgh Playhouse, Mark Morris Dance Group, the New York Finge Festival, St. Bart’s Players, and Broadway Classroom among others.  Some of the nightlights of the 2007-8 season include working as a pianist, pit musician, and music assistant for Ahren’s and Flaherty’s The Glorious Ones at Lincoln Center Theater, and recording a podcast with Neil Patrick Harris.

Website: http://www.scottethier.com/default.shtml

Jeff Hughes

Kyle Jarrow

Kyle Jarrow is a Obie Award-winning writer who has been called “NYC’s hipster playwright” by the New York Times and “an iconoclast” by the Los Angeles Times. He writes for the stage as well as film and television, and he plays in the rock band Sky-Pony. Kyle’s film Armless was an official selection of the Sundance Film Festival. He has developed TV projects for FOX, USA, CW, FX and MTV networks. Kyle has guest-lectured at Juilliard, USC Film School, Pratt, and the Actor’s Studio. He’s a graduate of Yale University.

CREDITS

Theater
President Harding is a Rock Star (2003)
A Very Merry Unauthorized Children’s Scientology Pageant (2004)
Armless (2004)
Gorilla Man (2005)
Rip Me Open (2006)
Love Kills (2007)
Hostage Song (2008) – with Clay McLeod Chapman
The List (2010)
Whisper House (2010) – with Duncan Sheik
Trigger (2011)
The Consequences (2012) – with Nathan Leigh
Sky-Pony: Raptured (2012)

Film
Armless (2010)
Saint Janet (2013)

Website: http://www.landoftrust.com

Kristen Anderson-Lopez

Kristen Anderson-Lopez co-wrote the songs and contributed to story for Disney’s Frozen for which she and her husband/collaborator Robert Lopez have received Golden Globe, Annie Award and Critics Choice nominations She made her off-Broadway debut at Primary Stages withIn Transit, a musical performed entirely without accompaniment, inspired by the rhythms and sounds of life on the subway.  The show earned her Drama Desk, Drama League, Outer Critics Circle, and Lucille Lortel nominations. She and her husband also wrote the Annie Award nominated songs for the 2011 film Winnie The Pooh, as well as Finding Nemo: The Musical, a live show currently in its eighth year at Disney’s Animal Kingdom.  Her work has appeared on Dawson’s Creek, Nickelodeon’s The Wonder Pets, and nationally in Theatreworks/USA’s stage adaptations of the children’s classics The Tell Tale Heart, Fancy Nancy, and Diary of a Worm.  She is the recipient of the BMI Harrington Award and the Dramatists Guild Fellowship, and an annual guest moderator of the BMI Lehman Engel Musical Theater Workshop. Her next project for stage is an original musical called Up Here, directed by two time Tony nominee Alex Timbers, andslated for a debut production in summer 2015. Anderson-Lopez, a graduate of Williams College, lives in Brooklyn with her husband and two daughters.

Lisa Despain

Lisa is jazz pianist/composer trained under jazz legend Ellis Marsalis in New Orleans. She is the recipient of the NEA (National Endowment for the Arts) Jazz Fellowship, the ASCAP Centennial Commission Honoring Duke Ellington, a Copland Fellowship, a Barlow Commission, and three American Composers Forum Commissions.

She is Director for Performing at LaGuardia Community College – City University New York and the editor/arranger of Hal Leonard’s musical theatre anthology series “Broadway Presents.”

UPCOMING WORKS

Storyville: music by Lisa DeSpain, lyrics by Kristen Anderson-Lopez, book by Julia Jordan

CREDITS

“Rise & Fall”, String Quartet no. 1 (Commissioned by the Barlow Foundation)
“Mean Ole World” (dance score – premiered at New Victory)
“Dreaming in the Land of Blue Oz” – Big Band
“An American Nativity” – Oratorio (Commissioned by the New Haven Symphony Orchestra
“Sonetos de Amour”: for Chorale and Wind Ensemble (Copland House)
“Into the Realm of the Gods”: Wind Ensemble (USAF Band of Flight in honor of the Wright Brothers Centennial of Flight)
“Flight of the Condor”: score for Peruvian Circus

Website: http://lisadespain.com/
Twitter: DeSpanishMusic
Facebook: Facebook

Zach Udko

Zach Udko is a Psychotherapist in Manhattan and a Clinical Professor at New York University, where he is a full-time faculty member at Tisch School of the Arts. His plays have been produced or read in New York, California, and England. He has also written for the Huffington Post, Backstage West, Condé Nast Traveler, Christie’s, British Airways’ High Life Magazine, Mandarin Oriental Magazine, and uInterview. Zach is a graduate of Stanford University (BA and MA, English) and New York University (MFA, Dramatic Writing; MA, Applied Psychology).

CREDITS

SELECTED WORKS:
Claw of the Schwa
Grave Shopping with Mama
Things We Do For Love
Scary Nation
Social Work
Stranger in the Night: An Evening with Margarita Pracatan
 (co-written with Margarita Pracatan)
The Mad Artist in You is the Crazy Lover in Me (co-written with Daniel Isengart and Filip Noterdaeme)
Day Trippin’ (co-written with Spencer Day)

Twitter: zachudko

Laura Schellhardt

Laura Schellhardt is a playwright and adaptor.  Her original works include Upright Grand, Air Guitar High, Auctioning the Ainsleys (Jeff Award Nominee), The Apothecary’s Daughter, How to Remove Blood From a Carpet, The K of D (Jeff Award Nominee, 2010 NYC Fringe Festival Best New Play Award), Courting Vampires,Shapeshifter, Inheritance, and Je Ne Sais Quoi. Adaptations include The Phantom Tollbooth, The Mysteries of Harris Burdick, The Outfit (Jeff Award Nominee), and Creole Folktales. She is also the author of Screenwriting for Dummies. Schellhardt is a recipient of the TCG National Playwriting Residency, the Jerome Fellowship, the New Play Award from ACT in Seattle, and a Dramatist Guild Playwriting Fellowship. She has participated in the SoHo Rep Writer/Director Lab, the Women Playwrights Festival at SRC, The Kennedy Center’s New Voices/New Visions Festival, The Bonderman TYA Symposium, and the O’Neill National Playwright’s Festival. She received her graduate degree from Brown University, under the tutelage of Paula Vogel. Schellhardt oversees the undergraduate playwriting initiative in the Department of Theatre.

Laura Henry

Chantal Bilodeau

Chantal Bilodeau is a New York-based playwright and translator originally from Montreal. She serves as the Artistic Director of The Arctic Cycle – an organization created to support the writing, development and production of eight plays that examine the impact of climate change on the eight countries of the Arctic. Recent awards include the Woodward International Playwriting Prize as well as First Prize in the Earth Matters on Stage Ecodrama Festival and the Uprising National Playwriting Competition. She is the recipient of a Jerome Travel & Study Grant and a National Endowment for the Arts Fellowship.

CREDITS

PLAYS

Sila, University of Oregon, 2015; Underground Railway Theater, 2014; University of New Hampshire, 2014

Hunger, Bated Breath Theatre Company, 2011
Green Dating (one-act), Curtin University (Australia), 2014; Estrogenius Festival, 2011; The Movement Company Go Green Tour, 2011
The Motherline, Ibis Theatre Project @ New York Fringe Festival, 2009; University of Miami, 2002; Ohio University, 2001
Pleasure & Pain, Foro La Gruta/Teatro La Capilla/Festival de Teatro Nuevo León (Mexico), 2007; Magic Theatre, 2007
The Living Room OCD(one-act), Raw Impressions, 2006
The Miller’s Daughter (one-act), Met Theater, 2004
Tagged, Pandora’s Box Theatre Company, 2004; Ohio University, 2000
Allegiance (one-act), Women’s Projects, 2004
Rose, Pandora’s Box Theatre Company, 2004; Women’s Project, 2003
Administrative Assistant (one-act), City Theatre Company, 2003; Brass Tacks Theatre, 2003; Pandora’s Box Theatre Company, 2003

TRANSLATIONS

Thus Spoke by Étienne Lepage, Musis Sacrum Schouwburg Arnhem (The Netherlands), 2014; Summerworks Festival (Canada), 2014
Misterioso 911 by Koffi Kwahulé, University of Pittsburg, 2014
Abraham Lincoln Goes to the Theatre by Larry Tremblay, Alberta Theatre Projects (Canada), 2010
Holy Land by Mohamed Kacimi, 3rd Kulture Kids @ HERE Arts Center, 2014
Bintou by Koffi Kwahulé, The Movement Theatre Company, 2010

Website: http://www.cbilodeau.com/
Twitter: @cbilodeau1402

Zakiyyah Alexander

Zakiyyah Alexander is a writer and actor who attempts to reinvent her voice with each play. Current plays include, 10 Things To Do Before I Die(Second Stage Uptown), Sick? (Summer Play Festival), The Etymology Of Bird (Hip Hop Theater Festival; Providence Black Repertory Company), Blurring Shine (Market Theatre, Johannesburg), Sweet Maladies (Darius Rucker Riverside Theatre),After The Show: A Play In Mask, something new, and (900). She has received developmental support from Bristol Riverside Theatre, Philadelphia Theatre Company, Bay Area Playwrights Festival, Rattlestick Playwrights Theater, Hartford Stage, The Providence Black Repertory Company, 24/7 Theater Company, Hip Hop Theater Festival, Vineyard Theatre, the Women’s Project, GAle GAtes et al., La MaMa E.T.C., Greenwich Street Theatre, etc. Awards include, Helen Merrill Award, ACT New Play Award/Lorraine Hansberry Award, Stellar Network Award, the Theodore Ward Prize, Jackson Phelan Award, Drama League New Directors/New Works, New Professional Theatre Playwriting Award, Young Playwrights Inc., etc. Her work is included in the current edition of New Monologues for Women by Women, featured in the book of essays,Girls Who Like Boys Who Like Boys, and Game on: The Humana Festival ‘08 Anthology. Past residencies and fellowships include, EST’s Youngblood, the Women’s Project Playwrights Lab, the Women’s Work Project, and the Drama League. She has received commissions from Second Stage, The Philadelphia Theatre Company and the Children’s Theatre Company of Minneapolis. A graduate of the Yale School of Drama (MFA in playwriting), she is currently on faculty at Bard College where she teaches undergraduate playwriting. Zakiyyah is a native New Yorker and was raised in Queens and Brooklyn.

Twitter: @model_minority

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